It’s a commitment to intensity that has served him well, and for the second time in a row, he has brought his characters to San Francisco.  2020’s “The Invisible Man” was set mostly in San Francisco,

Leigh Whannell follows ‘The Invisible Man’ with another update on a classic from the Universal archives, unfolding in an isolated farmhouse in the Pacific Northwest.

"Wolf Man" has moments of suspense and psychological tension but leans too heavily on jump scares and a weak story, says film critic Peter Travers.

Wolf Man star Julia Garner shares how she watches thriller flicks and the scariest thing she left behind in 2024. The Universal monster horror written and directed by Leigh Whannell also stars Christopher Abbott and Matlida Firth.

Leigh Whannell’s “Wolf Man” features striking practical effects and sound design but falters with overused tropes and a lackluster plot.

Julia Garner stars as a weary wife to Christopher Abbott, who might be transforming into a savage animal, in this cabin-in-the-woods thriller.

Wolf Man 2.5 out of 5 Stars Director: Leigh Whannell Writers: Leigh Whannell, Corbett Tuck, Lauren Schuker Blum, Rebecca Angelo Starring: Christopher Abbott, Julia Garner, Matilda Firth, Sam Jaeger Rated: R for bloody violent content, grisly images and some language.

Review - Australian writer-director Leigh Whannell takes a crack at a famous monster - and finds something new, Dan Slevin writes.

With the broad strokes of a great setting, solid acting, and quality direction, an audience will find Wolf Man to be time well spent.

A concept artist who worked on Leigh Whannell's Wolf Man has unveiled some of his alternate designs for the titular monster. Are they better, or worse? Have a look and let us

Elsewhere, 'Moana 2' has cleared the $1 billion mark in worldwide ticket sales in another win for Disney's animation empire.

Horror regular Leigh Whannell is back with another Universal Monsters remake after his success with The Invisible Man (2020). This time, he delivers a unique spin on The Wolf Man (1941). There’s no gothic Wales setting or Larry Talbot here though.